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Many of us
still embrace the values of music education from
its historical past, while overlooking the benefits of modern
technological tools. But computers and the Internet are revolutionizing
education far beyond the confines of the classroom.
Yes,
rehearsal time is precious and limited. The demands and details of
music performance accomplishments are never ending. But music educators
must wake up to the vast potential of Web-based instruction, which can
reach and teach students outside the classroom. Individual involvement
is the very essence of this technology, and these types of applications
put students in the driver's seat, rather than in the back seat.
As
I peruse the music technology scene, I sense that the inherent learning
curve is the obstacle preventing many of us from implementing
sophisticated new teaching tools. The time and frustration of learning
the software is often self-defeating. But we are working with a unique
generation of students who are often already ahead of us on this
learning curve; in fact, they are chomping at the bit. We can trust
them to run with whatever we offer them, without limiting them to our
stride. But unless students have access to music technology outside the
classroom, especially at home, their chances for success will be
restricted. No matter how many resources the Internet offers, students
need direction with systematic instruction that only good music
teachers and software can provide.
New
Standards
The time and energy to retrain music educators to fully embrace new
technology is a critical factor toward answering why so many music
educators have lingered in incorporating it well into the first decade
of the 21st century. Only 21 states have adopted MENC's nine standards,
while 29 states have adapted only a few of them. Yet, national teaching
standards are the very framework of improving teaching, and the
capability of assessing those standards involves even more time and
effort. Music technology can certainly make a difference in raising the
bar on teaching and assessing national standards. To see where your
state stands towards incorporating or adapting national music
standards, go to www.aep-arts.org
.
If
our students could be engaged in music technology outside the
classroom, who knows what heights of achievement and accomplishment
could be realized through our instruction? We need to direct students
with connected, organized opportunities outside of the classroom and
overcome the obstacles of budget, commitment, training, and time.
The
Internet is the Answer
The Internet offers a wide range of resources, but students need more
than resources to grow. They need interactive instruction geared to
their training needs. Web-based, educational technology, which I define
as organized instructional, interactive opportunities that students can
access online, provides the answer. It can include software
applications that operate fully over the Internet, with specific
training or supplemental instruction that teachers can customize and
post for interactive participation.
After
seeing the power of the Internet, Steven Chetcuti of Somers, New York
created lesson materials for his performance groups on the Web. He
developed interactive rhythmic exercises, scale patterns and
performance benchmarks for his band using Sibelius Scorch ( www.sibelius.com )
to view any of the interactive instrumental materials on his Web site (
www.theradiohour.net
).
How
can you demonstrate the impact of Web-based technology on a performance
group? Steven started an integrated program with a fellow teacher
connecting studies of the American Revolution with the music of the
day. The group started with two drummers and four flautists. Steven
developed an interactive Fife & Drum curriculum, which
encouraged students to practice at home. The Fife & Drum group
is now up to 53 members
Steven
also developed a series of SolFege lessons using the same Scorch
interactive process. With a minimal subscription, a teacher can have
access to seven levels of ear training. Students must sign in to use
the site, and when they do, an e-mail is automatically sent to their
teacher to show participation of each unit. We need to find and create
more Web sites like this for our students.
Web-Based
Software
There are some good Web-based music software applications presently
available. Following are a few products that operate over the Internet
with organized curriculum and instruction covering music notation,
music sequencing, aural training, music theory, comprehensive
musicianship, practice tracking, and more.
- Tri-Tone Music ( www.tritonemusic.com )
is keyboard-oriented instruction that offers an online multimedia music
curriculum, which is based on a method of integrated performance,
history, creativity, theory, and ear training instruction.
- Molto Music ( www.moltomusic.com ) is
a comprehensive music practice-tracking system that lets students
effortlessly report how well, and what, they practice. This saves you
time and keeps your students organized.
- Ricci Adam's
Musictheory.net ( www.musictheory.net
) is a powerful Web site dedicated to
teaching introductory and intermediate music theory lessons and ear
training. Its curriculum can also be downloaded for free, to be used
without the Internet on a home computer.
- Mastering Music ( www.datasonics.com.au )
is a powerful, music suite on the Internet that offers performance,
music notation, MIDI sequencing, digital audio recording, film scoring,
aural training and music theory plus complete record keeping for all
modules of instruction so you can conveniently assess your students'
music performance skills, compositions, aural training and music theory
achievements.
- Charms Office
Assistant ( www.charmsoffice.com
) is a music office system that allows
teachers to organize student contact information, manage inventory,
assign uniforms, track attendance, and work with trips, fees,
fundraisers, form collection, and lots more.
In
addition, there are some traditional CD-ROM workstation software
programs that now offer Web-based capabilities for posting customized
drill and practice instruction on the Internet for your students to
practice on-line, outside of class, without having the program itself
on their computers.
- EarMaster 5
distributed by eMedia Music ( www.earmaster.com
) offers extensive aural training in
its 450 standard aural training lessons and 211 jazz lessons that can
be posted on the web for further practice at home.
- Practica Musica by
Ars-Nova ( www.ars-nova.com
) offers both ear training and music
theory in which the instructor loads his own customized web practice
modules.
- Test Creator by
Centron Software ( www.centron.com
) that can post Internet tests for your
students to practice or take along with pictures and sound, and e-mail
notification of all tests results. This web-based application is a very
creative delivery system for students to interact with as they answer
questions that you construct supplemented by music manuscript and
sound.
What
You Need To Know
If Web-based instruction is a new concept to you, there are some major
pluses to consider, starting with cost. You know purchasing software
for more than one computer can be expensive. Getting students to use
them frequently enough to justify the cost is another issue. And
getting students to purchase applications for home use can be daunting.
Mastering Music offers a plan that includes student-use built into its
pricing structure. For approximately $400, you and 20 students have
unlimited use of seven powerful music programs at school and at home.
Molto
Music's Musician's Online Music Planner tracks students' home practice
in detail for less than a penny per day for each student. Many schools
are able to use their technology budgets rather than their music
budgets to purchase a license, saving precious resources for their
music programs. Web-based software applications do not require upgrades
from the user, as software is updated automatically by the manufacturer
at no charge to the customer. New features can be added and implemented
at any time, often due to the suggestions of the customers themselves.
When a new feature is added, it is immediately available for all users.
Another
factor is scalability, which refers to the technology working for very
large groups of people simultaneously. This also affects the cost of
the software. For instance, site licenses for an online system can be
purchased by individual studio teachers, a music teacher at a specific
school, the whole music department, or by an entire school district.
With a single purchase, dozens of schools and teachers can use the
system with hundreds of students. Often, the cost per student drops as
the number of students on a single license goes up. The EarMaster
home-user site license lets up to 200 students work at home from the
school server.
Like
all of the programs mentioned, Molto Music's Musician's Online Music
Planner is easy to execute because on-line software does not require
downloads or special add-ons to access the information. It would be a
nightmare to expect your students to install software at home on
how-many-different operating systems, and then endure the hassle of
technical support. Web-based applications can be up-and-running the
same day a school signs its students up and everyone has immediate
access to the program on their home computers.
Since
Web-based technology often requires log-in procedures, all programs
have a password that can be changed. There are even two levels of
security in Charms. Online Practice Planner software runs on servers at
a host company's location. There are daily backups, both on servers and
on tape, and no information is stored on school computers.
Online
software can allow unlimited users and is available to teachers,
administrators, students, and even parents, from any computer with an
Internet connection. The software can be accessed at school, at home,
from a parent's work. For example, teachers can use the Musician's
Online Practice Planner with students while traveling to competitions,
music camps, or on vacation – even overseas. The implications of this
type of connectivity are extraordinary: no school time is used and no
rehearsal time is wasted.
Because
Web-based software runs online, many schools have set up links from
their school band, orchestra, or choir Web sites. So, essentially,
students visit their school's music home page and immediately connect
to online applications. This opens up communication possibilities, as
well.
Mastering
Music has complete record keeping in all of its seven software
applications for teacher assessments for every student. Imagine being
able to evaluate notation and sequencing assignments anywhere, anytime
over the Internet, assess and post the grade. And all grades from the
seven areas of instruction are integrated into a single composite grade
for student evaluation at parent-teacher conferences where the teacher
can demonstrate the student's music technology portfolio.
Test
Creator creates and saves an unlimited supply of four types of
questions: multiple choice, true/false, fill-in-the-blanks, and single
answer. Aural questions can be either MP3 or WAV format. For an
example, go to www.centronsoftware.com/pictures_sounds_practice.htm
. Steven Chetcuti effectively uses on-line
testing with his middle school classes, and he estimates that he saves
three weeks of classroom instruction time per school year with on-line
instruction. Go to www.theradiohour.net
and be amazed at the amount of multimedia
interactive instruction offered through flash card charts, time
sketches, crossword puzzles and more for band, jazz band, harmonica,
guitar, and fife & drum corp.
Supplemental
Web-Based Applications
Although the following applications are primarily available for
workstation use, many products also support Web-based instruction.
WebStudents is Ars Nova's online system for organizing classes using
Practica Musica. It is designed to let students use the program in
multiple locations (home, computer lab, laptop) so the students lose no
work and the instructor can easily access the report without having to
ask the student to keep track of it. A teacher can customize Practica
Musica activities to get the students work without asking them to
download and install files.
EarMaster
5 lets a teacher create lessons in their tutor editor. The procedure is
simple. On the server page, there is a link to a file with EarMaster
lessons that the student can open with EarMaster Pro or School. The
lessons end with a test and when students are done they just click the
integrated "e-mail results" function to deliver it to the teacher. You
can find this at www.earmaster.com/example
.
Teachers
don't need to use music technology at the expense of live instruction.
With Web-based instruction, we have a great opportunity to stimulate
and direct our students farther and faster. This technology is a
positive addition to the future of music education. Even CD-based
software, such as SmartMusic by MakeMusic, allows students to practice
their instrument/voice any time at home with assessments recorded and
transferred to their teachers via e-mail. New avenues of instruction
beyond lecturers are opening up. Come join this new era of music
education!
"What
topics or questions would you like to read about in upcoming technology
columns? What do you view as relevant in improving your understanding
of music technology and applied "chops"? Do you have a success story or
"how to" tip that you or your colleagues would like to share? Take
advantage of a new opportunity to be heard. Simply visit www.sbomagazine.com/techfeedback
and complete the online form to submit
your thoughts directly to John Kuzmich and SBO."
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